The Best and Worst Moments of the 2019 Oscars

Who knew a hostless Oscars may develop into a good suggestion? Sunday’s ceremony, with its various winners’ checklist, made for a full of life present, even when there have been a number of head-scratchers. Here are the highs and lows as we noticed them.

[See President Trump’s response to Spike Lee’s speech. | Read our movie critics on “Green Book’s” win. | Check out the full checklist of winners.]

We’re a good distance from #OscarsSoWhite. On Sunday, the academy fielded an immensely various slate of winners. Three of the 4 appearing winners had been folks of coloration: Regina King (“If Beale Street Could Talk”), Mahershala Ali (“Green Book”) and Rami Malek (“Bohemian Rhapsody”). Several filmmaker winners had been, too: Alfonso Cuarón (greatest director and cinematography, for “Roma”) led a listing that included winners for documentary function, animated function and animated quick. The first African-American ladies to win greatest costume and manufacturing design, Ruth E. Carter and Hannah Beachler of “Black Panther,” made headlines. And of course there was the first aggressive Oscar, greatest tailored screenplay, for Spike Lee (“BlacKkKlansman”). The gender range in the tech classes was notable too. — SOPAN DEB

With Maya Rudolph, Tina Fey and Amy Poehler, the Oscars seemed to be furiously overcompensating for its lack of a steward to lead the night. Here we had not one, not two, but three of Hollywood’s most beloved mascots, breezily cosplaying as hosts, reeling through the jokes they might have made had they agreed to the gig. It was the perfect opener to this CliffsNotes version of the traditional Oscars slog. Oscar hosts don’t get much respect. At best, they serve up some questionable choices for us to pick apart from our couches. But these women showed us what we were missing. When they exited the stage, they left a void. — AMANDA HESS

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