Steve Golin, an impartial producer whose profession started with low-budget films like “Hard Rock Zombies” within the 1980s and reached its peak when he and three colleagues received the best-picture Oscar in 2016 for “Spotlight,” died on Sunday at a hospital in Los Angeles. He was 64.
A spokeswoman for Anonymous Content, his manufacturing firm, mentioned the trigger was Ewing sarcoma.
The 2016 Academy Awards ceremony was a capstone for Mr. Golin. Not solely was “Spotlight,” Tom McCarthy’s movie about The Boston Globe’s investigation of kid abuse by Roman Catholic monks, named best picture; a second movie that Mr. Golin and Anonymous produced, “The Revenant,” about an early-19th-century frontiersman combating for his life after being mauled by a bear, was additionally nominated in that class that 12 months and received for finest actor, Leonardo DiCaprio, and finest director, Alejandro G. Iñárritu.
Those movies, although wildly completely different, represented the kind of compelling human tales that Mr. Golin most popular to inform.
“I think that if you look at ‘The Revenant’ versus ‘Spotlight,’ one is a little bit more procedural and talky, arguably more in a classic sense,” he informed Variety in an interview earlier than the Academy Awards ceremony. “ ‘The Revenant’ is very different. Almost no dialogue, but it’s very bold in terms of the technical aspects.”
Mr. Golin constructed Anonymous into a small Hollywood empire that produces movies, tv collection, commercials and music movies, in addition to managing expertise just like the actors Samuel L. Jackson, Emma Stone and Mahershala Ali and the director Alfonso Cuarón, who received Oscars in 2014 for “Gravity” and 2019 for “Roma.”
The New York Times employed Anonymous Content final 12 months to symbolize it on movie and tv initiatives.
Mr. Golin’s producing credit additionally embody Spike Jonze’s “Being John Malkovich” (1999), a weird movie about a puppeteer (John Cusack) who finds a portal into Mr. Malkovich’s mind. Not solely was it troublesome to influence Mr. Malkovich to take part, he mentioned; it was additionally almost unimaginable to influence PolyGram, the father or mother of Propaganda Films, the corporate he ran at the time, to green-light it.
“I knew Spike’s sensibility,” Mr. Golin informed The Los Angeles Times in 1999. “He’s a really unique thinker. And when he started telling me his vision, I said, ‘Now, this makes sense.’ ”
Over the previous few years, as tv and streaming turned more and more essential to Anonymous, Mr. Golin was the producer or government producer of the HBO collection “True Detective”; “The Alienist,” a mini-series on TNT about a ugly serial killer in 19th-century Manhattan; and “Mr. Robot,” the USA collection about a pc programmer recruited to affix a band of anarchists.
He was additionally an government producer, with George Clooney amongst others, of a six-episode adaptation of “Catch-22,” Joseph Heller’s satirical World War II novel, which is able to stream subsequent month on Hulu.
Mr. Golin as soon as mentioned that the one movie he produced that he wouldn’t change was Michel Gondry’s “Eternal Sunshine of the Spotless Mind” (2004), the quirky story of a couple (Kate Winslet and Jim Carrey) who, after they break up, bear procedures to erase one another from their recollections.
“It was probably the most complete movie,” he was said in an online profile of him, in addition to “the most satisfying.”
Steven Aaron Golin was born on March 6, 1955, in Geneva, N.Y., and grew up in Yonkers. His mom, Marilyn (Phillips) Golin, was a actual property dealer, and his father, Jerry, owned an promoting company.
He studied movie at New York University’s School of the Arts and attended the American Film Institute in Los Angeles as a producing fellow. He and one other fellow, Joni Sighvattson, did manufacturing work on “Hard Rock Zombies,” “American Drive-In” and different films earlier than they and others began Propaganda Films in 1986.
Propaganda got here to dominate the market when MTV was closely influencing the music enterprise, and earnings from making music movies for Madonna, Janet Jackson, David Bowie and others helped finance the corporate’s movies, together with David Lynch’s “Wild at Heart” (1990) and John Dahl’s “Red Rock West” (1992). Propaganda additionally made commercials, together with for Obsession fragrance and Nike.
“The only game plan we had when we started was to establish a business that was a positive cash-flow business, that would give us the ability to be more flexible, to finance our own development on our own terms,” Mr. Golin mentioned in an interview with The New York Times in 1990. “The revenue from shooting videos and commercial business is enough to let us survive and to give us a certain credibility with directors who don’t want to take a project to a studio.”
He stayed at Propaganda till PolyGram was acquired by the Seagram Company and began Anonymous Content in 1999.
He is survived by his companion, Violaine Etienne; his daughter, Anna Golin; his son, Ari; his stepdaughter Blue Etienne-Gay; his sister, Susan Dickinson; and his brother, Larry. His marriage to Vilborn Aradottir resulted in divorce.
Mr. Golin’s need to increase Anonymous Content’s companies led to a seek for a well-heeled companion to purchase a substantial minority stake. In 2016 he made a cope with Laurene Powell Jobs, the founding father of Emerson Collective, a company dedicated to social change that had made investments in a number of companies, together with media properties like The Atlantic journal and the web information web site Axios.
In an e-mail to Anonymous’s employees on Monday, Ms. Powell Jobs praised Mr. Golin. “In an industry and an era that often reward all the wrong things,” she wrote, “he was unsparing in his vision and determination to tell stories he believed in, stories that move us and stay with us.”
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