Her good friend Hugh Fleetwood, a British writer and painter, agreed that Ms. Ingalls had been delighted by the literary world’s latest embrace. In remarks at her funeral on Friday in London, he stated, “She seemed to be not merely happy, but — like Violetta in the final scene of her favorite opera, ‘La Traviata’ — reborn.”
Over a half-century, Ms. Ingalls produced 11 books, most of them fairly quick, some of them collections of quick tales. Her tales are sometimes darkish, ambiguous and threatening, however not with out humor. If not precisely feminist, they thrum with feminine empowerment. Characters are at all times on the verge of betrayal or doom; the aura is fatalistic.
The housewife in “Mrs. Caliban” is mourning a latest miscarriage in addition to the deaths of her youngster and her canine, and the whole lot round her appears in a state of grief. “Everything,” Ms. Ingalls wrote. “It was a wonder the grass on the front lawn didn’t turn around and sink back into the earth.”
Ms. Ingalls has stated that her greatest literary affect was “Grimm’s Fairy Tales,” which she took to mattress together with her as a baby.
“I stuck with the Brothers Grimm while my friends went on to the Bobbsey Twins and Nancy Drew,” she instructed The Boston Globe in 1987 in a uncommon interview. “The next book in my life was ‘Bulfinch’s Mythology,’ ” which popularized the tales of Greek and Roman mythology and different legends.
While she was absorbing heavy classics, and studying all of Shakespeare, Ms. Ingalls was fixated on the radio. She cherished listening to cleaning soap operas and melodramas, and sometimes integrated into her work each the leisure parts of the soaps and the menace of the Brothers Grimm. She additionally went to films, the theater and opera continuously, absorbing all method of storytelling.
The renewed curiosity in “Mrs. Caliban” dovetailed with “The Shape of Water,” during which a lonely lady falls in love with a sea creature. The film received 4 Academy Awards, together with for finest image.
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