Let the Fountain Pens Flow!

Mr. Whelchel doesn’t have a tendency to make use of the pens for every day correspondence. “More like notebooks,” he mentioned.

“You write me playing cards!” Ms. DeKraker mentioned. “But yeah, it’s not ‘Dear Margaret, a strong wind blew in over the hills today. …’”

Mr. Whelchel is an engineer at Google, and he likes the pens’ through-line to the earlier implications of that job title: constructing bridges, drawing plans on paper. With the similar acquainted irony that applies throughout the current analog revivalism, the engine that was killing the fountain pen (and the pen retailer) as a necessity has resurrected it as a pure pleasure and a novel technique to show private model.

The “disruption” of the fountain-pen market gives a soothing escape from all the others: Amazon’s unnerving dominion, Facebook’s alleged tainting of democracy itself, and childhood’s quick fade into screens.

“People describe drawing ink into their pen from an ink bottle and wiping the nib as a Zenlike experience,” mentioned Stephen Brown, 34, a cognitive psychologist from the Netherlands who teaches at a group faculty in Red Deer, Alberta.

His YouTube channel, SBREBrown, on which he critiques pens, has 45,000 subscribers. (“I didn’t expect this,” Mr. Brown mentioned. “Yes, some channels have millions, but I’m not telling people how to create a smoky eye!”) There’s little friction writing with a fountain pen; not like a ballpoint or curler ball, the mechanism is actually a managed ink leak. Hands don’t cramp. Thoughts promise to pour out simply.

“People are also reading studies coming out indicating that writing things down helps you remember,” mentioned Jane Andreasen, 27, a pen nerd with a Mia Farrow crop and Fury Road boots. “It’s an easy step to go from, ‘I want to write more to, ‘and now I have a fountain pen,’ to ‘now I have five, what happened to me?’” Ms. Andreasen is the resident fountain-pen skilled at the occurring Oakland, Calif., outpost of Flax Art & Design, an artwork provide retailer.

Source link Nytimes.com

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