How Silk-Making Represents a More Hidden Side of Georgia’s Past


The luxurious craft was launched alongside the nation’s commerce routes centuries in the past. Even now, hyperlinks to this delicate custom nonetheless stay.

1. TBILISI RISES OUT of the steep banks of the Mtkvari, in Georgia, unfold vast on both facet of the river like palms cupping a bowl — a metropolis of cobblestones, winding lanes and wrought-iron gates bleeding rust. It is stuffed with the actual decay of the outdated Soviet republics, and the air smells of recent bread, sizzling herb soup and scorched motor oil.

I arrived on a winter’s night time in January. Dusk was simply approaching, and the buildings have been startlingly vivid within the moist streets, darkness consuming their edges. I’d come to Georgia to discover not simply what the nation has develop into but in addition its numerous pasts. I’d come to see its grand Orthodox church buildings, erected from the fourth century, when Christianity was formally adopted by these lands; I’d come to go to the silk museum within the coronary heart of Tbilisi, a place that for the reason that 19th century has fought for the survival of silkworms and sericulture. I’d come, in the end, to talk to the Georgians who labored fiercely to protect their nation’s historical silk-making traditions, these for whom its loss meant the demise not simply of an artwork however of a whole approach of life.

The collective tales we inform about who we’re as nations are not often simple. Even the origins of a nation’s identify may be a matter of dispute. Georgia has been known as Georgia since way back to the eighth century B.C. — however I found three completely different myths as to how that identify got here to go: One says that it was named in honor of St. George, the nation’s patron saint who was killed below the Roman emperor Diocletian’s persecution of Christians in A.D. 303; one other that it got here from georgós, the traditional Greek phrase for “farmer”; and the third, most memorably, that it derived from the Persian phrase gurg, which suggests “the land of the wolves.”

2. THE COUNTRY HAS long been an important logistical trading hub between East and West. During the time of the ancient silk trade, which, in Georgia, spanned the sixth to the 15th centuries, the country offered a crucial alternative to the better-trod routes of Persia (a kingdom that comprised what today is Iran, Iraq and Syria). Endless conflict between the Byzantium Empire and the Sassanian dynasty made the delivery of silk and other goods to the Mediterranean using Persian routes dangerous. And so in A.D. 568, the Byzantine emperor Justin II directed Central Asian merchants to a new northern route over and around the Caspian Sea, one that crossed the Caucasus and led to the Black Sea, from which traders could sail safely to Byzantium. Its distance and terrain made for a far more grueling trip than the Persian route, but it was safer and more profitable.

Archaeological excavations in the North Caucasus revealed that in the late sixth century and the first half of the seventh, most Chinese silk and other goods were brought to Byzantium using the Georgian route. The passage remained in use, though less frequently, until 1461, when the Ottoman Empire seized Trebizond (a northeastern successor state of the Byzantine Empire) after the fall of Constantinople. This brought an end to all trade along the northern routes of the Silk Road.

3. IN “THE TRAVELS of Marco Polo,” published around 1300, Polo, whose authorship is debated, describes Georgia as a nation of handsome warriors skilled in archery and courageous on the battlefield. He describes the country’s east-west passage as narrow and dangerous, with the sea on one side and impenetrable forests on the other.

The sea he references is the modern-day Caspian Sea, and the presence of Genoese merchants there speaks to how far the silk trade had evolved by Polo’s time. In the fifth century, some believe, the Georgian king Vakhtang Gorgasali introduced silk and silkworms to his country, at around the same time that he rebuilt Tbilisi as the capital of eastern Georgia. Before silk was brought to Georgia, it was virtually unknown in the region, even though it had crossed from east to west along other trade routes, having found its way to the Roman Empire centuries earlier. Small pieces of silk dating back to the first century A.D., for example, have been discovered in Aradetis Orgora, an archaeological site along the banks of the Mtkvari. But over the following centuries, silk production would expand across Central Asia and into the Caucasus, and by the 12th century A.D., Georgian silk was, by some accounts, in such demand that it was being exported in large quantities to Italy.

Many scholars believe that Polo relied on eyewitness accounts of Georgia to dictate “The Travels,” and only a few are convinced that he later managed to visit the country himself. This conclusion is drawn from a sharp parsing of his chronology, but likely also because some of his details feel too fantastical to have been observed firsthand. He tells, for example, the story of a monastery on a glittering lake in which fish miraculously appear at Lent and then vanish just as quickly. Embellishments aside, though, his more grounded observations allow us to imagine a past that many people here have managed to keep alive today.

4. IN 1887, THE Caucasian Sericulture Station was founded in Tbilisi by Nikolay Shavrov, a scholar of the natural sciences. The organization’s mandate was to preserve and advance sericulture throughout the Caucasus, and in 1891, it erected an edifice that accommodated a museum.

As we took the wide expanse of stairs up to the permanent-exhibition hall, I noticed small plaster ornaments on the pillars and arches depicting silkworms in their various life stages. We reached a narrow doorway that opened onto a long room of glass-fronted cabinets filled with specimens and artifacts: sprays of nut-brown pupae; cocoons white as cotton balls from India and China; boxes for transporting eggs, inscribed in Georgian, Russian, Armenian, Ottoman, French, Italian and Greek; dyes made of plants, minerals or aniline; kimonos of bright silk; raw threads collected from around the globe. There was even the entire 13-foot-long root system of a white mulberry tree — its leaves are the main food source for silkworms — hung on the wall and enshrined behind a pane of glass.

I felt both the beauty and the bizarreness of it, standing among those marvels of a faded world. There are several approaches to silk-making, but to produce silk of the highest quality, one must kill the pupae. Cocoons are thrown into vats of boiling water rather than allowed to open naturally so that they will lose their sericin, a natural glue. If a pupa is not killed, the moth releases proteolytic enzymes in order to make a hole in the cocoon, which can shorten or damage the silk fibers. In India, Hinduism deterred silk makers from killing the pupae, and their silk was therefore considered inferior. But Georgian silk involved killing the pupa in the cocoon: A single silk tie takes about 110 cocoons; a blouse, some 630.

The silk trade in Georgia died a slow death. In the 1850s, an infectious disease called pébrine threatened to decimate the silkworm population worldwide. In 1969, an outbreak of disease-causing mycoplasma killed many of Georgia’s mulberry trees, and silk production was drastically compromised. The final death knell came, surprisingly, with the Soviet Union’s collapse in 1991, which brought with it the destruction of markets rooted in traditional arts and crafts, the looting of collectively owned machinery and the end of cooperative farming.

Miraculously, however, the actual worms were preserved — it was the techniques to transform them into silk that were largely lost. A local university fed and housed the worms when production was halted, and continues to do so, single-handedly saving the Georgian breed. But preservation is costly, and the department relies on volunteers, some of whom still handpick mulberry leaves for the worms to eat.

To make her art, Kipshidze arranges, in a collagelike manner, new textiles with bits of discarded cloth — silk, linen, satin, velvet, whatever is at hand — and sews them onto a larger cloth canvas, creating compositions of people or still lifes of flowers and fruit. As we walked the worn wood floors of her small studio, she explained that some pieces took hours to finish, others years. She seems to be creating an art in which nothing is wasted. Castoffs are treasured, the rags of the past torqued into surprising reflections of the present. Studying a woven landscape, you thought instinctively of silk being transported through the north centuries ago, and felt you were staring at a history made whole again.

A light snow had blanketed the ground by the time we arrived. Up the hill, mottled ruins rose from the bright snow with a startling suddenness. The monastery was erected in the ninth century, but its ruins were plastered over centuries ago and adorned with frescoes. The central one of the Virgin Mary was pocked with age but also by violence. Bullet holes had blinded her eyes and those of the angels who flanked her. This had been done by the Soviets. You could be sent to Siberia, in those years, for practicing a faith. But the inner walls of the ruins were ringed in black: The Georgians would sneak in, under cover of darkness, to pray. There was no nave to hold their candles, so they stuck them directly onto the stone walls, scorching the rock.

6. MY FINAL STOP was to visit Lamara Bejashvili, who lives on a nameless street in the village of Kvemo Magharo in Kiziki, one of the smaller districts of the Kakheti region. She was well-known beyond the region for the silkworm farm she keeps in her backyard.

In her small dining room cluttered with a silk loom and jars of pupae suspended in liquid, Bejashvili had laid out bread and homemade quince jam, pears soaked in honey, local kiwis and tiny winter grapes purposely left to hang on the vine past the warm season so the sweetness gathered in their half-shriveled skins. A petite, elfin-faced woman, she told me she was descended from a long line of silkworm harvesters. She was 5, perhaps even younger, when she first began helping her grandmother, learning how to extract silkworm oil from pupae. The oil, she claimed, is miraculous: It cures migraines, hair loss, skin issues, inner-ear pain and ear infections. Injected, it purifies the blood. It also aids in improving circulation. When I pressed her for details — Was this scientifically proven? How was it extracted? — she demurred. The art of silk is an art of secrets.

Still, Bejashvili spoke of silk as if it were a living thing. She told me of its history — of how, in the days of the silk trade, silk gut was coveted for its use in stitching up wounds in surgeries because its threads possess a natural antiseptic. She told the story of a brain-cancer patient she knew who’d wrapped her head in silk cocooning every day, removing the wrapping only to bathe. After three months, she claimed, the woman’s tumors disappeared.

Bejashvili stood and, reaching her hand into a jar, extracted several silkworm skins. They were light gray, shriveled things with brown flecks attached, stray pieces of pupae. She encouraged me to eat one, and at first I shrank away. Then I placed one in my mouth: It was almost entirely tasteless, more a texture than a flavor, all at once spongy and crunchy. The longer I chewed, the spongier it became.

“It helps with fertility,” she said.

Outside, we picked our way through the snow alongside whining gray kittens toward a wooden shed. Bejashvili dragged open the doors and a soft barnyard smell wafted out: This was where the silkworms were housed. On a series of slatted wooden beds that almost resembled children’s bunk beds lay hundreds of white cocoons on dried leaves. The silence was punctuated by the creaking of the wood as it warmed in the draft from the open door. It was winter, all the mulberry was dead, and the silkworms had just finished their cycle, their eggs preserved to restart the farm in the springtime. The utter calm, and the clear reverence Bejashvili had for her worms, made me feel I was in a church.

“The silkworms need to be babied,” she said. “When I am late to feed them, they raise their heads when I enter. Their wings make a light crackling, buzzing sound. When they eat the mulberry, they make a noise like hard rain.”

7. LATER THAT EVENING, as Tamara and I made our way to Sighnaghi — a beautiful town east of Tbilisi surrounded by a sprawling 18th-century fortress built to ward off northern invaders — we stopped to walk along the fortification. High up on the icy corridor, overlooking the mist-bound streets, I thought of Bejashvili and her silkworms. I recalled her love, unembarrassed and direct. “Silkworms are very democratic,” she had said. “A silkworm would never impede another silkworm from eating — they are not a society like ants. They are very peaceful. Each silkworm is concerned only with its own journey.”



Source link Nytimes.com

Get more stuff like this

Subscribe to our mailing list and get interesting stuff and updates to your email inbox.

Leave a Reply

Your email address will not be published. Required fields are marked *

Get more stuff like this
in your inbox

Subscribe to our mailing list and get interesting stuff and updates to your email inbox.