He labored on quite a lot of distinguished initiatives, together with the Groninger Museum within the Netherlands, which opened in 1994, for which he was lead architect. He invited a number of different architects to design separate pavilions for the museum, leading to, as one journey web site places it, “a postmodern masterpiece, or a postmodern monstrosity, depending on who you ask.”
His different architectural works embrace the Ceramics Museum and Exhibition Complex in Incheon, South Korea, and factories in Omegna, Italy, for Alessi, the housewares producer. He designed quite a few merchandise for Alessi through the years, among the many most well-known being the Anna G. corkscrew, a whimsical software with a female form that he mentioned was impressed by Anna Gili, a good friend and fellow designer.
“I remembered as a child when my grandmother would open a bottle of wine at the table it always seemed like a good performance, a kind of ritual ballet: the turning of the head, the arms moving up and down, the sound of the cork popping from the bottle,” he informed The Financial Times in 2016. “That’s when I decided on an anthropomorphic object. I made a drawing of a ballerina, a female figure. It was evident, though, that I had subliminally drawn a portrait of Anna.”
The corkscrew got here out in 1994 and was a hit. It spawned associated merchandise, together with an Alessandro M. corkscrew — a male model of the Anna — and an Anna pepper mill.
Mr. Mendini designed merchandise for different firms as effectively, together with Swatch and Samsung. He designed a skateboard for the gear and clothes line Supreme.
He additionally exerted appreciable affect on the design world as an editor at a number of magazines, together with Casabella, the place he labored for six years starting in 1970. That put him at the center of Italy’s so-called radical design motion of the 1960s and ’70s.
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